Session notes from the booth.

Summer Deep by T. Rex lands here because Houses in Motion (Live at Werchterpark Festival, Belgium) by Talking Heads and A Teenager In Love by Red Hot Chili Peppers provide a clear arc after Into You by Funkadelic.. The glam rock edge gives the turn a more precise contour than a plain mood match. Houses in Motion (Live at Werchterpark Festival, Belgium) can step in after it without the handoff feeling pre-chewed.

On T. Rex (1970), Summer Deep shows T. Rex working in a 1970s pocket with glam rock in the grain. The cut moves with a steady shoulder-roll, which is why it can hold this turn without flattening it.

Listen for the glam rock texture in the pocket, especially in the way the arrangement keeps color moving under the lead. It also leaves a lane for Houses in Motion (Live at Werchterpark Festival, Belgium) to arrive without the segue feeling forced.

Houses in Motion (Live at Werchterpark Festival, Belgium) answers Summer Deep by T. Rex with a related tension instead of a copycat move, so the sequence keeps opening out. The pop / rock edge gives the turn a more precise contour than a plain mood match. A Teenager In Love can step in after it without the handoff feeling pre-chewed.

On Radio Waves 1978-1983: Psycho Killers, Vol. 2 (Live) (2016), Houses in Motion (Live at Werchterpark Festival, Belgium) shows Talking Heads working in a 2010s pocket with pop / rock in the grain. The cut moves with a steady shoulder-roll, which is why it can hold this turn without flattening it.

Listen for the pop / rock texture in the pocket, especially in the way the arrangement keeps color moving under the lead. You can hear how it answers Summer Deep without borrowing the same emotional weight. It also leaves a lane for A Teenager In Love to arrive without the segue feeling forced.

A Teenager In Love answers Houses in Motion (Live at Werchterpark Festival, Belgium) by Talking Heads with a related tension instead of a copycat move, so the sequence keeps opening out. The alternative-rock edge gives the turn a more precise contour than a plain mood match.

On Rock & Roll Hall Of Fame Covers (EP) (2012), A Teenager In Love shows Red Hot Chili Peppers working in a 2010s pocket with alternative-rock in the grain. The cut moves with a slow-burn glide, which is why it can hold this turn without flattening it.

Listen for the alternative-rock texture in the pocket, especially in the way the arrangement keeps color moving under the lead. You can hear how it answers Houses in Motion (Live at Werchterpark Festival, Belgium) without borrowing the same emotional weight.

Sound and Vision (Moonage Daydream Mix) by David Bowie lands here because Keeps the emotional pressure steady after Don't Talk (Put Your Head On My Shoulder) (Mono) by The Beach Boys and turns the color from 2010s into 2020s.. The glam rock edge gives the turn a more precise contour than a plain mood match. I Want To Be The Boy To Warm Your Mother's Heart (Live at The Aragon Ballroom, July 2, 2003) can step in after it without the handoff feeling pre-chewed.

On The Rise and Fall of Ziggy Stardust and the Spiders From Mars (1972), Sound and Vision (Moonage Daydream Mix) shows David Bowie working in a 1970s pocket with glam rock in the grain. The cut moves with a steady shoulder-roll, which is why it can hold this turn without flattening it. Inside Deep shelf drift, it reads as curation rather than stunt programming.

Listen for the glam rock texture in the pocket, especially in the way the arrangement keeps color moving under the lead. It also leaves a lane for I Want To Be The Boy To Warm Your Mother's Heart (Live at The Aragon Ballroom, July 2, 2003) to arrive without the segue feeling forced.

I Want To Be The Boy To Warm Your Mother's Heart (Live at The Aragon Ballroom, July 2, 2003) keeps deep shelf drift honest by sounding like a real choice inside that lane, not a decorative gesture. The pop, rock, alternatif et indé edge gives the turn a more precise contour than a plain mood match. Summer Deep can step in after it without the handoff feeling pre-chewed.

On Elephant (2023), I Want To Be The Boy To Warm Your Mother's Heart (Live at The Aragon Ballroom, July 2, 2003) shows The White Stripes working in a 2020s pocket with pop, rock, alternatif et indé in the grain. The cut moves with a slow-burn glide, which is why it can hold this turn without flattening it. Inside Deep shelf drift, it reads as curation rather than stunt programming.

Listen for the pop, rock, alternatif et indé texture in the pocket, especially in the way the arrangement keeps color moving under the lead. You can hear how it answers Sound and Vision (Moonage Daydream Mix) without borrowing the same emotional weight. It also leaves a lane for Summer Deep to arrive without the segue feeling forced.

Summer Deep keeps deep shelf drift honest by sounding like a real choice inside that lane, not a decorative gesture. The glam rock edge gives the turn a more precise contour than a plain mood match.

On T. Rex (1970), Summer Deep shows T. Rex working in a 1970s pocket with glam rock in the grain. The cut moves with a steady shoulder-roll, which is why it can hold this turn without flattening it. Inside Deep shelf drift, it reads as curation rather than stunt programming.

Listen for the glam rock texture in the pocket, especially in the way the arrangement keeps color moving under the lead. You can hear how it answers I Want To Be The Boy To Warm Your Mother's Heart (Live at The Aragon Ballroom, July 2, 2003) without borrowing the same emotional weight.